Imani Mason Jordan speaks to the artist about how the pandemic has affected her work and what her plans are for Venice

Ahead of her presentation in the French Pavilion at this year's Venice Biennale, Zineb Sedira speaks with Róisín Tapponi about the influence of Third Worldist cinema and transnational alliances on her practice 

The writer shares her tips for how to navigate the opening week bustle

Ahead of the artist’s contribution to the German Pavilion, Adam Szymczyk considers how she might embrace the loaded history of the country she will represent

Featured in this year’s Venice Biennale, the artist zooms in on Singapore and Venice, two ports of the publishing world

Barbara Casavecchia interviews the four finalists of Venice’s new College Arte programme

The Austrian artist Wolfgang Zinggl looks back on his social practice collective’s project for the 1999 Venice Biennale

Im Vorfeld von Maria Eichhorns Beitrag für den deutschen Pavillon stellt Adam Szymczyk Überlegungen hinsichtlich der Frage an, in welcher Form die Künstlerin das Thema Zugänglichkeit aufgreifen wird – angesichts einer Welt, die um den Begriff der Grenze herum organisiert ist.

Elvia Wilk on the artist’s understated and poignant series ‘Children’s Games’ (1999-ongoing)

Avram Finkelstein looks back on Gran Fury’s contribution to the 1990 Venice Biennale, The Pope and the Penis, and considers how the immediacy of social media might have impacted the AIDS activist collective

With the spotlight at the Venice Biennale falling all-too-often on the 30 national pavilions in the Giardini, writer Jennifer Higgie asks whether this 19th-century format still makes sense

Francesco Tenaglia speculates on whether performance will have a repeat victory at this year’s Biennale

Fernanda Brenner on the artist's uncanny and transgressive films

Ahead of Bopape's presentation at TBA21–Academy's Ocean Space in Venice, Eric Otieno Sumba reflects on the artist’s relationship with the sea

Writer Thea Hawlin on Giulia Cenci’s dark installations, where the past, present and future converge

At Hakanto Contemporary, Antananarivo, a group show attempts to portray a Malagasy identity through figurative and conceptual work

At Kunsthall Trondheim, Norway, artists plant sites of refuge in an earth scarred by colonialism

For their first solo exhibition in Switzerland, the artist and energy worker uses multisensory environments to go beyond the fatalistic parameters of representation

The artist's stripped back solo exhibition at Lucas Hirsch, Dusseldorf, imbues generic scenes with personality

An intimate new exhibition at London’s Two Temple Place explores how Black female artists – from Ladi Kwali to Shawanda Corbett – have reimagined one of the world’s oldest art forms

At FOMU Photo Museum Antwerp, the artist reveals the contrivances and ambiguities of documentary photography

At kaufmann repetto, the artist presents a set of photographic text-based works inspired by droughts and the streets of New York City

At the Brooklyn Museum, the artist presents a suite of works that centres on their experience as a queer, Muslim femme to question ideas of origin and belonging

At Fondazione Memmo, Rome, the artist's latest installation voices concerns on power inequalities and global uneasiness

At Galeria Plan B, the artist aims to symbolically transform visitors into a state of extraordinary openness

At New Art Gallery Walsall, a founding member of BLK Art Group depicts the near future through the anxieties of the present

At Wschód, Warsaw, the artist uses digital tools to develop sculptures that confound scale, visual plane and function

A survey at Art + Practice, Los Angeles, celebrates the artist’s unique combination of photography and dance

For his first solo show in Los Angeles, the artist transforms Rudolf Schindler’s famed Fitzpatrick-Leland House into a large-scale sonic installation 

A recent survey at The Polygon, Vancouver, showcases the painter’s varied practice in photography 

At Kunstmuseum Wolfsburg, the artist's photography is a personalized window into the material effects of social inequity

‘She Keeps Me Damn Alive’ at Arebyte Gallery, London, is a digital game tasking visitors to protect Black trans lives against a monster feeding on marginalized groups

An impassioned show of new works at Sim Smith, London, affirms the artist’s longstanding engagement with queer sisterhood, solidarity and survival

At Seventeen, London, a group show engineered by Joey Holder and Omsk Social Club presents itself as a creepy ‘Squid Game’-esque clinic

At MIT List Visual Arts Center, the artist presents minimalist assemblages that reflect critically on the spaces and circumstances of the disenfranchised

At Nottingham Contemporary the group show – billed as an ‘exhibition-as-sci-fi-novel’ – presents a speculative reality shaped by environmental crisis

At Grimm, New York, the Peruvian artist presents a body of work that asks us to defang our baleful understandings of ghosts