At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
For their contribution to the 59th Venice Biennale, Pauliina Feodoroff, Máret Ánne Sara and Anders Sunna address the impact of colonization on the Sámi people
Ahead of the artist’s contribution to the German Pavilion, Adam Szymczyk considers how she might embrace the loaded history of the country she will represent
Im Vorfeld von Maria Eichhorns Beitrag für den deutschen Pavillon stellt Adam Szymczyk Überlegungen hinsichtlich der Frage an, in welcher Form die Künstlerin das Thema Zugänglichkeit aufgreifen wird – angesichts einer Welt, die um den Begriff der Grenze herum organisiert ist.
On the occasion of the artist’s first solo exhibition in Berlin at KW Institute for Contemporary Art, Carina Bukuts writes about his 20-year practice of deconstructing the image politics of war
In celebration of Thompson's current retrospective, 'This House Is Mine', at the Colby Museum of Art, Maine, two artists and a writer reflect on the short but prolific career of the legendary Black painter